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Tuesday, May 22, 2012

What we leave behind


Sometimes I wonder what it is I would leave behind, as my legacy, if I died tomorrow. It’s important to me that I will be remembered, lovingly, which is partly what draws me to writing. As Jorge Luis Borges once said:

When writers die they become books, which is, after all, not too bad an incarnation.

I don’t have any books to my name, yet, but I have this blog, which will do, for now.

*     *     *

A boy I used to know died this year. One of the things he left behind was a video of himself playing the guitar. He is sitting alone, on the ground, in a grey concrete stairwell, six months before his death. It is only accessible by friends, so you’ll have to trust me when I say: he was talented. Oh, so talented.

I saved it to my bookmarks and I play it, sometimes, when I am alone, and I want to feel something. I close my eyes and listen. And I cry, every time, without fail. Just as I cry as I write these words, his music playing as a backing track, informing my thoughts, prompting me to remember.

My favourite part is when somebody, making their way down the stairs, interrupts him. I hear his voice, one last time. “Dude, the acoustics are amazing in here,” he tells the stranger, with a smile. “So beautiful.”

That is when my heart swells, from my chest to my throat, and the tears start to fall, from the pain; because I remember that smile.

Sunday, May 13, 2012

I live to let you shine


“I loved you like a man loves a woman he never touches, 
only writes to, keeps little photographs of.” 
— Charles Bukowski 

Boats and Birds by Gregory and the Hawk was my favourite song when I was 17. I thought its lyrics told a story that was the epitome of romance; loving somebody so much that you cherish their happiness more than you care about your love being reciprocated. As Juan Antonio says in Vicky Christina Barcelona, "Maria Elena used to say that only unfulfilled love can be romantic".

If you be my star 
I'll be your sky 
you can hide underneath me 
and come out at night 
when I turn jet black 
and you show off your light 
I live to let you shine 

but you can skyrocket away from me 
and never come back if you find another galaxy 
far from here 
with more room to fly 
just leave me your stardust to remember you by


It has since come to me that the love described in the song is not a young person's love. Adolescent love is too selfish, too fickle. As teenagers (and adults, to be fair), we fall in love with people for what they have to offer us. We are capable of deep love – infatuation – but we expect something in return; flattery, appreciation, security, to be looked after and adored.

The selfless devotion in the song describes the love of an adult. A mother's love of her son. A father's love of his daughter. A grandparent's love of their grandchildren. A brother's love of his sister. A love between lifelong friends and lovers. A love that changes as it grows and matures but cannot be undone, bestowed unconditionally, quietly, anonymously; so inconspicuous that is easily taken for granted. 

A love like that is heartbreaking in its selflessness, but too precious to set free.

When I was 17, I would long for the day that I was beautiful, desirable, special enough for somebody to love me in that way. Now, as I realise that it is exactly that love which anchors me to be the person I am today, I hope that, one day, I can use the strength that love has given me to bestow it upon somebody else. 

It's what makes the world go 'round.

Even
After
All this time
The Sun never says
To the Earth,
"You owe me."
Look
What happens
With a love like that.
It lights the
Whole 
Sky.
– Hafiz

Tuesday, May 8, 2012

I am a feminist


I am a feminist.

I am proud to be a feminist. A lot of women my age are not. I like to think it's because they have a warped sense of what it means to be a feminist, and what feminism stands for. But maybe that's not the reason. Maybe they don't identify as feminists because they are not interested in feminism. Or they are genuinely happy with the way women are treated in today's society. Maybe they think the fight for equality is over; the battle is already won. 

It's not.

I love bell hooks' definition of feminism: 

I have wanted them to have an answer to the question ‘what is feminism?’ that is rooted neither in fear or fantasy. I have wanted them to have this simple definition to read again and again so they know: ‘Feminism is a movement to end sexism, sexist exploitation, and oppression.’

She clarifies:

Being oppressed means the absence of choices.

I dream of a world where every person - men and women and those in-between - have the opportunity to be whoever they want to be; to live the life they want to live. Idealistic? Yes. Yet I will fight for that cause for as long as I live. And I hope that those who come after me will do the same, gradually shifting this world to be a better, kinder, freer place that offers a brighter future to everybody who is born into it, no matter their gender or country or family or  religion or strata of society.

So, the multi-million dollar question... as bell hooks asks:

How do we create an oppositional worldview, a consciousness, an identity, a standpoint that exists not only as that struggle which also opposes dehumanisation but as that movement which enables creative, expansive self-actualisation?

There are many ways, but I have one, and that is telling stories. Telling stories, through art and literature, breeds compassion, strengthens connection and enhances universality, enriching our collective awareness of lives that exist outside our own, prompting our desire for change.

Literature may seem like a futile way to instigate change; but for some women, telling their story is an act of rebellion, racked with danger. A wonderful journalist named Eliza Griswold wrote an incredible article for The New York Times, about Afghanistan's underground society of female poets:

“A poem is a sword,” Saheera Sharif, Mirman Baheer’s founder, said. Sharif is not a poet but a member of Parliament from the province of Khost. Literature, she says, is a more effective battle for women’s rights than shouting at political rallies. “This is a different kind of struggle.”

Afghan women, particularly those living in rural Afghanistan, are denied rights and freedoms that we, in the Western World, take for granted: the right to an education, the freedom to choose the person they will marry. The oppression sanctioned and discharged by the government and rebel forces is entrenched in centuries-old cultural mores and traditions. For many Afghan women, patriarchy is not a faded way of thinking but a brutal, sometimes deadly, way of life that is carried out by fathers, husbands and brothers, within their own homes. Their homes are not sanctuaries but prisons. Their only refuge is their own minds and hearts; their only escape is their imagination. Their weapon is their story. 

Eliza follows the story of Zarmina, a young Afghan poet who would recite her love poems to the  literary society in Kabul over the phone, from what she described as "the dark cave of her village". She wrote about broken love; she asked, "why am I not in a world where people can feel what I am feeling and hear my voice?" One day, her mother-in-law overheard her illicit phone calls. As punishment, her brothers beat her and destroyed her notebooks. Two weeks after the beating, she set herself alight. Suffering burns to 75% of her body, she died in hospital.

Zarmina is just one of many of Afghanistan's poet-martyrs.*  

Eliza gave Ogai Amail, a member of the literary society who took Zarmina's phone-calls, the last word:

Flipping through her notebook, she found a poem she wrote after Zarmina’s suicide, called “The Poet Who Died Young”: 
“Her memory will be a flower tucked into literature’s turban.
 In her loneliness, every sister cries for her.”

We need to hear these stories. We need to know that Zarmina existed; we need to know that she wrote and shared beautiful poems, bravely, in the face of adversity. We need to mourn not only her death, but also the crippling sadness that marked the end of her short life.

I am lucky to be a woman in a rich, privileged, post-feminist society. I am grateful for the people who have come before me and fought for justice and equality, not only for genders but also for races, ethnicities, sexualities and social classes. But the fight is not over. As long as there are women - and men - in the world living in fear, being oppressed, without choices and opportunities to define their own lives, the fight is not over. 

It has only just begun.

"You won’t allow me to go to school.
I won’t become a doctor.
Remember this: One day you will be sick."
— Poem written by a 15-year-old Afghan girl
 
 
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